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2005.11.14

Interview with Mick Hannigan, Director of Cork Film Festival
Short Film is a Very Special Art Work

 

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Interview with Mick Hannigan, Director of Cork Film Festival
Short Film is a Very Special Art Work

Cork film Festival which has been running since1965 in Ireland, celebrated its 50th anniversary this year. Short Film Competition is one of the international sections of festival. This year about 60 films selected , among them were three Iranians short films, The Hole by Vahid Naserian, The Free line by Naghi Nemati and Heydar, An Afghan in Tehran by Babak Jalali.

Most notable short film of festival was an animation, “Ryan” directed by Chris Landreth which won the best short animation Oscar prize, earlier this year. This year, a number of 100 short films which screened in important international film festivals; selected by the cinema critics and professionals. These selected short films screened in Cork Film Festival, and meanwhile an international short film symposium was held in which the

following subjects discussed:

-          The short film as a political tool

-          Toward the selection of short films

-          The variety of cultures in short filmmaking

-          Narrating design in short film

-          Death of short film

Among the most prominent participant of program was Jonathan Rosenbaum, the celebrated American film critic. It should be noted that recently the city of Cork has selected as European Capital of Culture.

Mick Hannigan, director of Cork Film Festival is in Iran to attend in 22nd National and 10th International Short Film Festival, as one of the jury members of International Competition.

 

When you started out, what was your idea about short film?

At the time, I chose to cooperate with Cork Film Festival,  there were only a few awards for short film section. I intended to work in this area and I really believed that it should be an opportunity for filmmakers to make short films. I think it is a valuable and different work. Those filmmakers, who make short films, have potential abilities. Now, Cork Film Festival is supported by many renowned festivals, and these supports are spiritual not financial.

So, that’s why you held a symposium for short films this year?

Yes, we have a good relation with other short film festivals. And you know, here, the competition is not like what we see in feature films. Every body likes to support. Short film is a very special art work. There is something that seems contradictory. In spite of this fact that there are a lot of financial and technical limitations, it is really a creative process and there is enough room for thought and imagination. However, the economic perspective is not so good.

How do you deal with the financial problems?

The fact is,  Cork Film Festival consists of two parts. We cover our costs with money which we earn through feature films.

Releasing short films in theater, should takes a long difficult way; how do you deal with it?

That is right. However in recent years, the situation has changed a little. Basically, there is a little room for short films to screen in cinema theatres. But we found a new way. We screen short films on DVDs, so every one could choose his or her favorite film. We did this in Cork Film Festival this year. In addition, we are intended to distribute DVDs of the Irish short films with low prices. I think it is the best way for short films to be released and reviewed.

Do you think there is any buyer?

If we could distribute these short films abroad, even by way of Internet; there would be a buyer.       

Generally, how many films are submitted to Cork Film Festival?

It is about 2000 films.

What do you reply to the filmmakers whose films have not been selected?

 It is really a good question. We always have this problem. Filmmakers want to know the reasons. But selection is not always a scholarly and methodical process. It is rather a matter of taste.

Are you familiar with Tehran International Short Film Festival?

Not so familiar, but I am really interested in knowing how it goes. This is an international famous film festival, and Hassan (Hassan Dezvareh, head of international relations of Iranian Young Cinema Society) tries his best for this festival to be recognized internationally. I met him in Clermont - Ferrand Film Festival ( France ). Then I was invited and I accepted gratefully.

 

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